Sydney pop power-duo Foley have unveiled their shimmery new single, ‘Honey’. Following the release of their phenomenal second album That’s Life Baby! earlier this year — as well as recent single ‘Suckerpunch’ — ‘Honey’ sees the pair explore the moments where you know you’ve pushed a little too hard in an argument, bringing their brand of syrupy-sweet musical goodness to the matter;
 
“Honey is about taking it too far and realising you might have pushed your luck – we all have moments in a relationship where you make your point a little TOO WELL and realise you played too rough.

In the right relationship those moments aren’t make or break; instead they are the times you see compassion and understanding in a partner who is willing to have your back and stick with you.”  FOLEY

Ultimately a love song, and an ode to the right person who sticks it out through the sweet and sour alike, ‘Honey’ captures the tougher parts of a relationship with endless grace and charm;
 
“The line ‘Whenever I spill my guts you stitch me up, honey’ sums it all up – they’re there to put the pieces back together for you because they know your true heart.”  FOLEY

Bringing on an unbelievably world-class line-up of collaborators for the track’s production, ‘Honey’ saw Foley working with Pedro Calloni (Chappell Roan, ELIO, Alex Warren, Daniel Seavey, GAYLE) on mixing, as well as Grammy-nominated audio engineer Nathan Dantzler (Sabrina Carpenter, sombr, Niall Horan, Jonas Brothers, Teddy Swims) on the mastering side.

Speaking to ‘Honey’s production journey, as well as the experience of working with friends and cowriters Max Jacobs and Nico Scali, Foley’s Ash & Gabe said:
 
“We wrote this one with our new friends Max and Nico from a band called Loretta. We all clicked straight away and had so many laughs, it made for a really energetic session.

Those magic guitar chords that carry the song were brought to the session by Max and having a new guitarist in the room helped us to get into a different headspace. We wanted to write something with the acoustic guitar front and centre that could bring a bit of a bluesy tone – and the chorus really dabbles with that in the guitar and vocal stacks.”  FOLEY

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